In this apartment by Rudolph Schindler, the wood-paneled walls and natural light create a comfortable space that brings us closer to nature. A stool by J.B. Blunk sits in front of the built-in sofa, next to a pair of Frank Lloyd Wright tables.
A seamless integration with nature is one of Schindler’s values in architecture and can be found in most of his projects across Southern California.
Rudolf Steiner’s second Goetheanum, completed in 1928, is situated in the mountainous region of Dornach, Switzerland, Steiner’s first Goetheanum was completed in 1919 and comprised primarily of sculpted wood. but after only a few years, it burned down by arson. Steiner designed the second Goetheanum as an illustration of ‘a new style of architecture. it represents a pioneering use of visible concrete in architecture, particularly in its achievement of sculptural shapes on an architectural scale.
An iconic design by renowned architect Warren Platner in 1974. The airy interior is set by the oak columns branching into layered flower canopies that is both decorative and functional. The pink velvet upholstery and brass lamps complete the look with beautiful contrasts.
Celebrated British artist, David Shrigley, has transformed the gallery at Sketch as part of a long-term programme of artist-conceived restaurants. India Mahdavi, who has created a backdrop for David Shrigley’s artwork, conceived a soothing, monochromatic, strikingly comprehensive interior. The classic, almost bourgeois design invites a deliberately playful contrast with the witty, outré art works; all is most certainly not what it seems. While matching sketch’s delight in the avant-garde, this harmonious vibe breaks with the Gallery’s usual eclecticism.
Hidden in the slopes of the vineyard village of Cornaiano near Bolzano, Italy is Casa Tabarelli, a modernist masterpiece designed in 1968 by Carlo Scarpa and Sergio Los for the Tabarelli family. The spacious interior is dominated by a colorful abstract ceiling that creates rooms with varying ceiling heights. Many of the masterful works within the house combine art and function, such as the entrance gate made from orthogonal metal rods, the steel abstract kinetic sculpture, and the sliding wall with painted geometry and hinged panels.
The design of Belle Epoque is a meditation on the industrial era in Continental Europe (1870-1930), a period where tradition met scientific development and handcraft techniques were challenged by industrial processes. Mankind began to explore creative possibilities latent in new methods and materials; the result was a synthesis of artistic sensibility and mechanical power. At this stage, when industrialization showed its potential to dominate and threaten the natural environment, a counteracting dream, art nouveau, began to take hold: the desire to express a world transformed by the organic life force.
