Error message

  • Deprecated function: Return type of DatabaseStatementBase::execute($args = [], $options = []) should either be compatible with PDOStatement::execute(?array $params = null): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2244 of /home/metasus_ftp/metasus.net/includes/database/database.inc).
  • Deprecated function: Return type of DatabaseStatementEmpty::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2346 of /home/metasus_ftp/metasus.net/includes/database/database.inc).
  • Deprecated function: Return type of DatabaseStatementEmpty::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2346 of /home/metasus_ftp/metasus.net/includes/database/database.inc).
  • Deprecated function: Return type of DatabaseStatementEmpty::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2346 of /home/metasus_ftp/metasus.net/includes/database/database.inc).
  • Deprecated function: Return type of DatabaseStatementEmpty::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2346 of /home/metasus_ftp/metasus.net/includes/database/database.inc).
  • Deprecated function: Return type of DatabaseStatementEmpty::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in require_once() (line 2346 of /home/metasus_ftp/metasus.net/includes/database/database.inc).

Inspiring projects

  • Casa Mollino

    Casa Mollino remained a mystery until after the death of the designer in 1973. Only in 1999 did it pass into the hands of Ferrari, who has a similarly diverse background to Mollino, having been a chemist, restaurateur and design dealer. With the help of the meticulous inventory of the property made by Mollino’s lawyers, he was able to recreate the original appearance of the apartment and open it to the public by appointment. While renovating the interiors, Ferrari discovered the cover of a book by Mollino, titled Il Messaggio Dalla Camera Oscura (‘The Message from the Dark Room’), depicting the head of an Egyptian queen. This reference to Egyptian funerary art became the key to decoding a series of symbols, which suggest Mollino’s project was conceived in the manner of a Pharaoh’s pyramid, as an intended final resting place. 

  • Belle Epoque Brasserie

    The design of Belle Epoque is a meditation on the industrial era in Continental Europe (1870-1930), a period where tradition met scientific development and handcraft techniques were challenged by industrial processes. Mankind began to explore creative possibilities latent in new methods and materials; the result was a synthesis of artistic sensibility and mechanical power. At this stage, when industrialization showed its potential to dominate and threaten the natural environment, a counteracting dream, art nouveau, began to take hold: the desire to express a world transformed by the organic life force.  

  • The Gallery at Sketch

    Celebrated British artist, David Shrigley, has transformed the gallery at Sketch as part of a long-term programme of artist-conceived restaurants. India Mahdavi, who has created a backdrop for David Shrigley’s artwork, conceived a soothing, monochromatic, strikingly comprehensive interior. The classic, almost bourgeois design invites a deliberately playful contrast with the witty, outré art works; all is most certainly not what it seems. While matching sketch’s delight in the avant-garde, this harmonious vibe breaks with the Gallery’s usual eclecticism.

  • The Schaffer House

    This open and relaxed kitchen in the Schaffer house by John Lautner is one of the most beautiful examples of Mid-Century modern house designs, which strive to bring the outdoors inside by using large expanses of glass, integrating with natural landscapes, and emphasizing natural materials.

    Constructed largely of redwood and glass supported by red brick and concrete, the Schaffer House feels like a newly pitched tent or a wood cabin that provides shelter and privacy without boxing out nature.

    Lautner designed the house for the Schaffer family, who originally used the property for picnics under the majestic oak trees and decided they wanted to live there permanently. 

  • Salon 10

    Salon No.10 is a private member’s salon—a gathering place for the city’s creative professionals, connoisseurs, international entrepreneurs and discerning travelers. set within the clamor of Central Hong Kong. Passing through the massive, hatch-like front door, one feels as if one has entered another space and time. The noise and traffic of Arbuthnot Road, visible through the window, seems distant and unreal, as if one has dropped twenty fathoms under the sea on a timeless subterranean journey to a far away place. 

  • The Second Goetheanum

    Rudolf Steiner’s second Goetheanum, completed in 1928, is situated in the mountainous region of Dornach, Switzerland, Steiner’s first Goetheanum was completed in 1919 and comprised primarily of sculpted wood. but after only a few years, it burned down by arson. Steiner designed the second Goetheanum as an illustration of ‘a new style of architecture. it represents a pioneering use of visible concrete in architecture, particularly in its achievement of sculptural shapes on an architectural scale. 

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